In an era where art institutions increasingly face scrutiny over accessibility and representation, metr.cube emerges as a mobile art space that simultaneously collaborates with and challenges traditional power structures in its region: Turkey.

 

While the name metr.cube references both the metric unit of volume (cubic meter) of the truck and the French word "maître" (master), it embodies the project's dual nature of containing art while mastering new ways of existence within the arts ecology. 

 

The project addresses three fundamental challenges in the contemporary art scene: spatial limitations for independent artists, the homogenization of artistic practices on public displays, and the threshold fear that restricts wider public access. Through its mobile format, metr.cube instills an alternative exhibition space while advocating for artistic multi-vocality and broader cultural accessibility.

 

As an art initiative, metr.cube embodies a transformative model for art-making and exhibiting that is both independent and interconnected, critical and collaborative. It powerfully illustrates how alternative art platforms can actively engage with and challenge dominant power structures, all while preserving their revolutionary spirit and unwavering commitment to accessibility. By fostering a dynamic interplay between artists and audiences, this approach not only enriches the cultural landscape but also paves the way for a more inclusive and equitable future in the arts.

 

Unlike conventional gallery practices where installations occur in private, behind closed doors - a process that maintains the mystique of exhibition-making by lacking transparency - metr.cube disrupts this norm by deliberately making its installation process public. By bringing typically hidden curatorial practices into full view on city streets, the project transforms the usually private ritual of exhibition installation into a public performance, allowing passersby to witness and engage with the complete artistic experience. This transparent approach not only displays the exhibition-making process but creates spontaneous encounters for public dialogue about art-making itself.